Creation and development of a visual universe for film screenings events.

The Ciné Club Nacht are night screenings taking place at home. Every projection brings together a few friends and all kinds of movies, from must-sees to the strangest suggestions of one member.

The posters relate to the tools used in the events themselves. While the visuals refer to the slight and perpetual motion of home-made fabric screens, the typography is an allusion to light projection, unfolding its full potential when lights are off.

For Das Büro des Präsidenten. Creation of a visual signature for a independent porcelain designer.

In order to serve Susanna Setälä’s very personal approach to porcelain design and unique works, we needed to let her have control over her identity while giving it a defined atmosphere. We decided to compose a panel of stamps to get along with a strong typeface. The combination fulfiled nicely the need of a handcrafted and artistic sensation as well as a clear branding necessity. It also allow the artist to seize her identity.

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For Das Büro des Präsidenten
Elaboration of the new year wishes under the motto “Good mood 2016”.

After the year 2015 we decided to work on a way to bring people closer and to stimulate a nice and positive attitude towards one another. As a studio sending wishes to clients and partners, we focused on work relations and offered an opportunity to spread good mood in the daily office life. We created not only a new year’s card, but also pre-printed post-its that need to be used in order to reveal the printed card. The post-it quotes were clearly intended to be used in the office and shared as positive thoughts. They encourage to reckon the good work of a colleague, share a lunch with another, to send one home after a productive day — to recognize people’s actions and value them.

Attempt to slide factual images, such as photography, into expressive and enigmatic images, in order to foster imagination.

As part of my Master’s thesis, I explored madness as a way to suggest alternatives & new perspectives by the use of little slides and gaps. The intention was to wake up the viewers and disrupt their expectations.

Attempt to switch the our viewpoint from factual to interpretation. The very personal and singular memories of one family on static paper appear distant for an external viewer, but becomes, through manipulation and mistreatment, a shared reminiscence. These ghost images turn into evocations that everybody can interpret, relating to strangers’ stories or echoing their own memories.